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Swathimuthyam – Teaser Trailer | Ganesh, Varsha Bollamma | Lakshman K Krishna

Posted : September 14, 2022 at 10:20 pm IST by ManaTeluguMovies


54 Feet Hanuman Built For Biggest Fight Scene In ‘Vishwambhara’!

Posted : April 22, 2024 at 8:51 pm IST by ManaTeluguMovies

Megastar Chiranjeevi is currently working under the direction of Vassishtha for a fantasy film titled ‘Vishwambhara’. The shooting began at the start of 2024 and it is progressing smoothly without any obstacles. The makers are trying to their best to release the movie as announced on 10th January 2025. As we are aware, Trisha Krishnan is the female lead in this project. Sources claim that she is playing a double role.

The latest reports reveal that the movie’s unit has recently completed filming a grand action sequence. Apparently, this fight scene will take place before the interval and the unit shot for 26 days for this sequence. Ram-Lakshman masters are the fight choreographers and AS Prakash has erected a huge set for it. Megastar has reportedly never spent so many days on one action scene and it is expected to be the highlight of ‘Vishwambhara’.

This huge schedule is expected to finish today and a grand 54-foot Hanuman statue is built for this scene. It looks like director Vassishtha has planned something huge and UV Creations is stopping nowhere to pull this off. Esha Chawla and Surbhi are playing the sister roles of Chiranjeevi and Ashika Rangnath is also being linked to this project.

‘Vishwambhara’ is a socio-fantasy movie with a touch of mythology in it. Vassishtha Mallidi is confident about the movie’s content. With the budget estimated to be 200 crores right now. UV Creations is bankrolling this movie on a grand scale while MM Keeravani is the music composer.


Recent Random Post:

How Much Is Nag Ashwin Taking For ‘Kalki 2898 AD’?

Posted : April 26, 2024 at 10:16 pm IST by ManaTeluguMovies

Nag Ashwin has established himself as a force to be reckoned with in Tollywood. Despite having only two films to his credit, both “Yevade Subramanyam” and “Mahanati,” his unique storytelling and masterful direction have garnered him immense praise and commercial success. These critically acclaimed projects, produced under the banners of Vyjayanthi Movies and Swapna Cinema helmed by Ashwini Dutt and his daughters Swapna & Priyanka, have solidified Ashwin’s reputation as a director with exceptional talent and vision.

Ashwin’s trajectory continues its upward climb with his current project, the epic science-fiction film “Kalki 2898 AD.” This ambitious venture, starring Prabhas in the lead role, promises to be one of the biggest cinematic undertakings in Indian history. Mounted on a colossal budget exceeding ₹500 crore, the film is being produced by Ashwini Dutt and his daughters, marking their unwavering trust in Ashwin’s capabilities. The narrative is so grand that it will be divided into two parts, with the first installment slated for release in the coming months.

Interestingly, Ashwin has opted to forego a traditional director’s salary for “Kalki 2898 AD.” Instead, he has a profit-sharing agreement with the producers. This decision signifies his commitment to the project’s success and his confidence in its potential to achieve box office dominance. Reports suggest that if the film lives up to its expectations and delivers the massive profits anticipated, Ashwin’s share could reach a staggering ₹50 crore, potentially placing him among the highest-paid directors in India, following the footsteps of the legendary S.S. Rajamouli.

Ashwin’s decision to continue working under his wife Priyanka Dutt’s and father-in-law Ashwini Dutt’s production house despite lucrative offers from other banners speaks volumes about his loyalty and dedication. It appears he has embraced the responsibility of elevating the already prestigious Vyjayanthi Movies and Swapna Cinema to even greater heights. With his exceptional talent and unwavering dedication, Nag Ashwin is poised to become a defining figure in Tollywood for the years to come. The massive scale and immense buzz surrounding “Kalki 2898 AD” serve as a testament to his ambition and potential to revolutionize Indian cinema.

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