Suhana Khan shares treasured, unseen memories with her father Shah Rukh Khan

Bollywood actress Suhana Khan, who made her debut with the streaming movie ‘The Archies’, has shared rare pictures of her childhood with her father, the Bollywood icon Shah Rukh Khan and her brother, Aaryan Khan.On Saturday, the actress took to the Stories section of her Instagram, and shared pictures in sepia tone on the occasion of her father’s birthday.

She wrote on the picture, “Happy birthday, love you the most”.

King Khan is celebrating his 59th birthday on Saturday. The actor, who entered the film industry after a brief stint in television, capitalised on the opening of India’s economy, and made a seamless shift from grey characters to the king of romance.SRK is inarguably the face of Indian cinema across the world with several honorary doctorate degrees, a Padma Shri, and the French Legion of Honour.

The actor was last seen in ‘Jawan’ and single-handedly pulled the Hindi film industry out of the commercial lull induced due to the Covid-19 pandemic.Earlier, Suhana had revealed the secret to her perfect svelte figure, which includes a combination of pull ups and deadlifts. She took to her Instagram, and shared a video of herself working out in the gym.

In the clip, the actress, who made her debut with Zoya Akhtar’s “The Archies”, is seen doing several weighted workouts including pull ups, hip thrusts, push ups and deadlifts under the supervision of a personal trainer.The actress made her debut with ‘The Archies’ which was dubbed a critical disaster. The film was also panned for being the debut vehicle of Bollywood kids, and was caught in the nepotism controversy.

Meanwhile, Suhana will be next seen in the upcoming movie ‘King’ which also stars SRK in the titular role.

Can Sympathy Make Hits? Ka and Hanu-Man’s Story!

Imagine a film breaking box-office expectations, turning an underdog actor into an overnight sensation. Often, stories of hardship and resilience catch our attention, especially when they come from actors or filmmakers with no industry connections. But is it really sympathy that drives these films to success, or is it the content that resonates with audiences? This question has surfaced often, and lately, with the success of recent releases, it’s sparking a new debate.

The latest film, *Ka*, a suspense thriller starring Kiran Abbavaram, is surprising everyone with its rise to box-office glory. Before *Ka*, Kiran’s career faced a rough patch with a string of flops, paired with relentless trolling on social media. At the pre-release event, Kiran openly shared his emotional journey, from his mother’s hard work as a laborer to his struggles to carve a niche without any backing. This heartfelt moment struck a chord with many, and when *Ka* opened to a fantastic response, some netizens were quick to suggest that the “sympathy factor” had helped elevate the film’s success.

This isn’t the first time sympathy has been linked to a movie’s performance. Earlier this year, *Hanu-Man*, a Sankranti release, faced stiff competition from bigger films and struggled to secure screens. The narrative on social media was filled with claims of a “theater mafia” favoring big-budget films. However, *Hanu-Man* eventually became a blockbuster, with fans hailing it as the underdog that won against all odds. Some credited this success to the public’s sense of injustice, which fueled support for the film.

Similarly, *Kartikeya 2* with Nikhil Siddharth made headlines during its release when the actor spoke out about the challenges of securing theater slots. The debate over small cinema being sidelined was widespread, and the public rallied behind him. The result? *Kartikeya 2* became a surprise pan-India hit, cementing Nikhil’s place in the industry and earning acclaim beyond the Telugu-speaking audience. Once again, many credited the film’s success to a perceived “sympathy wave.”

But is sympathy truly enough to drive a film to blockbuster status? Critics argue that these films owe their success more to solid content than sentiment. Although Nikhil, Teja Sajja, and Kiran Abbavaram—all actors with no film lineage—may draw some extra goodwill for their struggles, it’s their movies’ stories, creativity, and execution that ultimately resonate with audiences. Films like *Hanu-Man* and *Kartikeya 2* performed exceptionally well not only in Telugu regions but across India, which suggests that their success went beyond any sympathy factor, especially with audiences unfamiliar with these actors’ backgrounds.

In reality, audiences today are savvier and demand quality. The sympathy card may create initial buzz, but only the content can carry a film forward. The success of *Ka*, *Hanu-Man*, and *Kartikeya 2* likely stems from more than just sympathy; they tell stories that engage, entertain, and, most importantly, connect. While sympathy may bring attention to a film, it’s the substance within that builds its legacy.

True success in cinema lies in the ability to tell a story that moves people, one that doesn’t rely on public sentiment but stands on its own merit. These films remind us that the heart of cinema isn’t just about supporting the underdog but about celebrating stories that truly touch audiences. For, in the end, content remains king.